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“The wolf is represented as a despicable creature so that its lifestyle can be destroyed with impunity by fable-brainwashed humans.”
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MF: Welcome to the show, Mr. Coyote. Now, a lot of the dog breeds we know seem to resemble the wolf. I’m thinking of the Husky and German Shepherd, for example. Have wolves historically been tempted to try a life of domesticated doghood? Perhaps on a temporary basis at first, perhaps guarding some kind of human outpost temporarily for an isolated human pioneer type?
WC: Not on your life. On the surface, it probably looked tempting to many naive wolves because of the reputed longer lifespan of the house dog. But what exactly did this long, long life entail? Sitting on a Disney-themed cushion all day in a human house that smells like antiseptic cleaning products and overly-prepared food? The final response was always an overwhelming no thanks. Prison is prison, and a longer life in one is just a longer sentence.
MF: Well, as a feline that comes from a long line of alley cats, I can relate to what you’re saying.
*smiles and sips a glass of water*
But what about all the human texts about what a dangerous and possibly lethal brute your species was to humans when they existed? I realize human stories about all other animals were always exaggerated and self-serving to their nature-loathing elites. But why was the wolf feared in a particularly strong way by that propaganda-addicted species for so long?
WC: It was mostly about being scapegoated for human enslavement to their own elites and their artifice. Humans always felt vaguely scared and unsatisfied, and their elites were afraid they would end up blaming them. So they got them to blame other species instead. One of their most powerful tools was their texts, of course. And there were a lot of really incendiary human texts written about wolves.
MF: You’re talking about Little Red Riding Hood and the Three Little Pigs, for example?
WC: Yeah. Particularly Riding Hood. Her “cookies for grandma” persona and hot-button “red coat” made her a portrait of the totally innocent victim of evil. And of course, the wolf plays that evil role so that both her and her grandmother look angelic by comparison. Pure evil versus pure goodness, featuring a red coat. The product placement ought to be a tell-tale sign of where this story is going.
MF: You were saying during the commercial break that wolves rarely killed or even approached humans if it was avoidable.
WC: Uh-huh. The only two scenarios that would have lead to a wolf attacking a human were either 1. a female would find her cubs in danger and would lash out to protect them – perfectly normal for all species. Or, 2. A human would attempt to steal the prey of a pack of hungry wolves before they had finished eating it. Humans called this prey “surplus labor” when they stole it from other humans.
MF: Yes, and how is this “surplus labor” concept related to the fables you mentioned?
WC: The wolf is represented as a despicable creature so that its lifestyle can be destroyed with impunity by fable-brainwashed humans. This allowed humans to cut down our forests to build strip malls and suburban bungalows with no other purpose other than to destroy our habitats and, ultimately, our existence.
MF: Yes, a very twisted wordview indeed. To end on a positive note, would you like to tell us about the altered versions of Red Riding Hood that your fifth grade students proposed as better and more accurate moral tales?
WC: Well, I’ll just share the winning one with the audience. Clarence Cano submitted that the story would end with the wolf warning Red Riding Hood that her grandmother had type A diabetes, and that the high-fat, high-sugar cookies were a potential threat to her health. Riding Hood then hits him over the head with her iron basket, and runs off to poison her grandmother with the cookies. Later, when the police arrive to perform an autopsy, it’s revealed that Riding Hood was the old lady’s only heir.
MF: Well Mr. Wile E. Coyote, thanks for coming in to talk to us here at Das Qaturday.
WC: It was my pleasure. I’m a huge fan, Michel.
*audience applauds*
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